Inspiration: The Lovely Bones

The imagery of heaven and after life in this movie are surreal and beautiful. Very painterly and dream-like. Some scenes are embellished with symbolic and metaphorical elements supporting the story where the events from the real world affects the world of the dead. Simply breathtaking!

Visual Reference: Aurora Borealis Time-lapse by Tromsø

The interaction between the clouds and the auroras are simply amazing!

Sandy Skoglund

Sandy Skoglund creates surreal and painterly images with beautifully lit minimal sets and characters. Often playing with juxtaposition go brightly colored objects and pale, earthy environments.

Lighting Reference Video: White Winter Hymnal

Video directed by Sean Pecknold

After beginning to look at the use of dioramas for sets, we've been discussing the idea of the light on the set sort of constantly changing like from night to day, which reminded me of this video. The shifting of the light and shadow as well as the combination of the use of camera is rather beautifully done.

Baraka - Ron Fricke

"Without words, cameras show us the world, with an emphasis not on "where," but on "what's there." It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky."

Set Design Reference: Jonah Samson's Dioramas

Jonah Samson makes miniature dioramas. The sets and the lighting are very interesting. I really like how he makes these small objects look real and large.

More cool dioramas (by other artists) at FuckYeahDioramas

What's coming up next?

Now that Empyrean is complete, we're working on full music video album. There will be about 4-5 tracks on it. Total length of about 30-40 minutes. 'Empyrean' will be one of piece on it. Our hope is that this album - "Forbidden Circle" will be surreal, eerie and beautiful and will be ready sometime in Spring 2012. Quite a few awesome musicians have agreed to do some guest work on the album. More coming soon.

Empyrean Video

It's done!

We'll soon release a limited copy DVD with the video and some goodies, and a poster.

Flower Bloom Composition/Camera Reference

The subtle camera move and the chromatic aberration creates such a surreal space

Here the slow backgrounds that are completely out of focus create an interesting image, while in the foreground the flower blooms. Makes it look very real, and plausible yet has some surreal qualities.

Music Ambient layers

I've added in the ambient layers of the track. Most of the ambient string sounds were designed with NI Kore Player. There's also a few tracks of my voice here and there creating the choir like.

This also features the bass played by Brandon. I've edited his performance here and there just a little to make them sit more tightly over the kick.

Next, I'm going to rent out a 7 string guitar from a the local guitar shop and re-track all the guitars.

Dance cues

The motion in the dance sequence is going to reflect the motion in the guitar's melody. The melody is basically playing over a 4/4 time signature but going in and out of phase with the up and down beats. The dance will reflect this.

I've created a motion cue for both the dancers. These motion cues (ting and ding sounds panned left and right) will act as a "force" which causes them to change their pose.

This way their motions will be somewhat independent and organized in time, and my hope is that it reduces the visual chaos of that scene a little, and will reinforce the rhythmic structure of the music via visual, motion coherence.

Improved design

The makeup really fell apart in the shoot we did last week for the dance scene. So we're redesigned the characters. Instead of bald caps, we'll just comb the hair up with gel and hairnets to create tendril like structures attaching them to the white tube from above.

Lotus Shader

Here are some progress pictures of the Lotus shader that Ariel is working on.

He's also going to re-model the petals so that he can UV-unwrap them.

Heads Makeup Concepts

Makeup

Here's a quick makeup test we did on Jessica. Shelia did the hair.

Here are some quick hair-style references